Gamera The Brave

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Gamera the Brave is a 2006 film and the fourth Gamera film to be released in the Heisei era. With no relation to the previous three films, it was intended as a full reboot of the franchise. It is directed by Ryuta Tasaki (Power Rangers, Super Sentai, Kamen Rider, Pretty Guardian Sailor Moon) with the screenplay by Yukari Tatsui.

The plot begins in the 1970s, with Gamera sacrificing himself to save a village from a swarm of Gyaos. The plot then moves forward about thirty years or so and shifts focus onto a young boy named Toru as he finds and raises a small turtle named Toto, who is actually a baby Gamera. Meanwhile, a giant monster named Zedus appears and begins eating people, and Toto grows ever larger and stronger. Eventually, the two monsters fight, but Toto is badly injured and Zedus is only temporarily deterred. In the end, though, Toto (now a fully grown Gamera) engages Zedus in another battle and emerges victorious.

Godzilla Against Mechagodzilla (ゴジラ×メカゴジラ, Gojira ekkusu Mekagojira?, lit. Godzilla X Mechagodzilla) is a 2002 tokusatsu kaiju film produced by Toho Company Ltd., and the twenty-seventh installment in the Godzilla series, as well as the fourth in the Millennium series. The film was released to Japanese theaters on December 14, 2002. Godzilla Against Mechagodzilla was directed. Gamera film series. The Gamera Heisei series began in 1995 with the release of Gamera: Guardian of the Universe and ended in 2006 with Gamera: The Brave. The first three Heisei Gamera films were directed by Shusuke Kaneko and all share continuity, while Gamera: The Brave was released much later by Kadokawa and is a standalone film.

The film was released on April 29, 2006. Despite a positive reception from critics and fans, a sequel never materialized and the franchise once again fell into a period of hibernation that wouldn't be ended this time until 2015.

This film contains examples of the following:

• Age Cut: Kousuke is shown as a young boy witnessing Gamera's final battle with the gyaos in 1973, with a dissolve cut to 2006 where he is standing in the same spot remembering; only now he's a grown man with a child of his own.
• Big Bad: The maneating Sea Monster Zedus is the main antagonist of the film.
• Big Damn Heroes: Toto conveniently crashing into Zedus before the latter could devour Toru's Dad and Katsuya.
• A Boy and His X: Toru and Toto. Their bond is a plot point of the film
• Breath Weapon: Initially, Toto can only burp little bursts of fire, but by the end of the movie he can launch full-powered fireballs.

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• Combat Tentacles: Zedus can extend his tongue to great lengths and repeatedly uses it to impale Toto.
• Continuity Reboot: A fairly good one. Kaiju were prevalent in the 1960s to 1970s but haven't been since since, and everyone was familiar with Gamera and the gyaos from the opening scene which implies a version of events similar to the Showa series happened with some Heisei influence. However no kaiju have been seen in the 30 years since, leading to a Japan unprepared for Zedus.
• Giant Flyer: Toto. Like all other Gameras.
• Gratuitous English: Toru spends much of the film wearing a t-shirt that reads, in large bold letters, 'A BANG UP WORK.' The song played over the end credits, 'Eternal Love' by the singer, mink, also scatters numerous English words and phrases throughout its lyrics.
• Heroic Sacrifice: The adult Gamera in the prologue blows himself up to kill several attacking Gyaos. The possibility of Toto doing this to stop Zedus is also a fairly major plot point.
• Ill Girl: Mai Nishio, Toru's neighbor.
• Knight of Cerebus: Zedus. The film keeps a light-hearted tone for most of the first act, but the second Zedus enters the story, everything goes to hell.
• Lighter and Softer: More optimistic than the Heisei series, but the movie opens with adult Gamera's death, how the death of his mother impacted Toru's life, and the people devoured by Zedus. Still there aren't any human antagonists, the governmental body responsible for the dark lab studying monsters is actually trying to help Toto, and all the protagonists live with better lives at the end.
• Missing Mom: Miyuki Aizawa had died in a car crash, which has made Toru fairly cynical.
• Mythology Gag: While exploring Kousuke Aizawa's kitchen, Toto is nearly hit by a dropped knife and breathes fire on it in retaliation. The knife is a reference to the knife-headed monster Guiron, from the Showa era.
• Plot-Relevant Age-Up: In the space of a week, Toto grows from a cute little turtle to a cute house-sized turtle.
• Reconstruction: Of the lighter elements of the franchise largely absent in the later entries in the Heisei trilogy. It returns to the Showa era's focus on children, but combines it with the Heisei era's tone and good writing.
• Revisiting the Roots: This film harkens back to the classic Showa Era films' roots with a more kid-focused adventure with a major lighthearted feeling, that said it still keeps a lot of the Heisei's era tone and seriousness in regards to the monster.
• Sea Monster: Zedus just kind of shows up out of the ocean one day. The first scene which foreshadows him is rather Jaws-esque with him not being shown at all.
• Shout-Out: Sgt. Frog - Toru has to remain polite to Mai in order to borrow issues from her.
  • In something of a hat-tip to Godzilla, the pattern on Gamera's plastron glows red when he charges up his fire ball.
• Spiritual Successor: While it is a Continuity Reboot, off mentions of past events and and the tie-in manga imply some version of the Showa Gamera series, or at least some of the movies, happened. Clues include references to Gamera being well known as a protector of mankind, multiple Showa kaiju being named in tie-in novels, and people being very familiar with what kaiju are. One could then tale The Brave as a distant sequel to that era.
• Stock Sound Effects: Toto's roars are recycled from the 1976 King Kong.
• They Would Cut You Up: Inverted. The government captures the injured juvenile Toto, but they do it with the express intent of patching him up from his fight with Zedus and trying to ensure he grows to full strength since they know gamera are benevolent kaiju.
• Those Two Guys: Ishimaru and Katsuya, Toru's friends.
• To Serve Man: Zedus is a maneater, and is shown consuming humans onscreen at several points.

Toto Vs. Zedus

Gamera's son Toto kills Zedus with a fireball that makes him explode spectacularly.

Example of:
Defeat Equals Explosion

Gamera vs. Gyaos (大怪獣空中戦 ガメラ対ギャオス, Daikaijū kūchūsen: Gamera tai Gyaosu, lit.'Giant Monster Midair Battle: Gamera vs. Gyaos') is a 1967 Japanese kaiju film directed by Noriaki Yuasa, written by Fumi Takahashi, and produced by Daiei Film.^[1] It is the third entry in the Gamera film series, after the previous year's Gamera vs. Barugon.^[1]Gamera vs. Gyaos stars Kojiro Hongo, Kichijiro Ueda, Tatsuemon Kanamura, Reiko Kasahara, and Naoyuki Abe, with Teruo Aragaki portraying the giant turtle monster Gamera.

Gamera vs. Gyaos was released theatrically in Japan on March 15, 1967. It was followed by Gamera vs. Viras the following year.

Plot[edit]

A sequence of volcanic eruptions take place across Japan, impacting shipping and aircraft flights in the area. While scientists research the strange phenomena, an eruption at Mount Fuji in Shizuoka Prefecture attracts Gamera, whose arrival is witnessed by a young boy named Eiichi. Gamera then climbs up and into the volcano. A research team is dispatched to the volcano to find Gamera and study the effects of the eruption. Meanwhile, Chuo Expressway Corporation is building a roadway nearby, but local villagers refuse to leave.

The research team's helicopter is destroyed by a sonic beam emitted from a cave in the mountains which slices the aircraft in half. Reporters are informed that no bodies were found; but they are certain the culprit is neither Gamera nor the volcanic eruption. One of the reporters, Okabe, leaves for the site, and he and the roadcrew foreman, Shiro Tsutsumi, arrive at a protest area simultaneously. Okabe sneaks through the barrier, and Tsutsumi and his crew are turned away, as are the villager protesters, by the arrival of a young woman.

Gamera The Brave To Color

The villagers return to inform the village headman of the happenings. The protests are a ploy to get more money for the land. The young woman is revealed to be Eiichi's older sister. The crew returns to find the work camp destroyed and a strange green glow coming from the mountain nearby. The work crew goes to investigate. Eiichi finds Okabe in the woods near Mt. Fuji recording the same light the workmen saw. Okabe convinces Eiichi that it might be Gamera and the two make their way to a cave. A cave-in starts and Okabe runs away, leaving Eiichi in the cave. Upon exiting the cave, Okabe is eaten by a giant monster, which is later identified as Gyaos.

The workmen enter the cave from a different opening and Eiichi makes his own way out of the cave, where he discovers Gyaos and is trapped by a falling rock. Gyaos grabs Eiichi and Gamera appears. Shiro and his crew arrive just in time to see a battle between Gamera and Gyaos, during the course of which Gyaos drops Eiichi, who is rescued by Gamera. Gyaos injures Gamera with its supersonic beam, but is forced to retreat after several blasts from Gamera's fire breath. Gamera rescues Eiichi and brings him safely to a nearby amusement park. Shiro uses the Ferris wheel to retrieve Eiichi from Gamera's back and Gamera flies away.

Eiichi is interviewed about his experiences by Dr. Aoki and the Countermeasures Group, who have set up headquarters in the Hotel Hi-Land. It is Eiichi who calls the new monster 'Gyaos' because of the sound it makes. Dr. Aoki explains Gyaos' abilities and that it was awakened by the volcanic eruptions. A squadron of aircraft attack Mt. Futago and Gyaos destroys them. Eiichi calls to Gamera, who is tending his wounds at the bottom of the sea. Gyaos attacks at night and all of the cattle in the village run away. During a meeting the next day, the villagers become divided on whether to sell their land or not because of Gyaos. Tsutsumi's entire crew, save two, also quits because of Gyaos. A rustling in the bushes scares the remaining men, who think it is Gyaos. Instead, Eiichi emerges and tells Tsutsumi that Gyaos only comes out at night. Tsutsumi reports this to Dr. Aoki and the defenders use light to make it too bright at night, without success. Gyaos annihilates the Japanese Self-Defense Force with a blast of wind and flies south to Nagoya.

Gyaos wreaks havoc in the city and the people gather at the Chunichi Dragons stadium, where the lights have all been turned on. Gamera shows up and they battle in the skies over Nagoya. Gamera gains the upper hand because Gyaos' beams cannot penetrate Gamera's shell. Gyaos then extinguishes Gamera's flame breath with a yellow vapor. When Gamera hits the water, he bites Gyaos' foot and tries to hold him there until sunrise. Gyaos then severs his own toe and flies away. The toe is found washed up on the beach by some workers and is eventually brought to Dr. Aoki, where it is remarked that it has shrunk considerably since its discovery.

Further experiments reveal that ultraviolet light causes the severed toe to shrink. Therefore, if Gyaos is out in the sun too long, it will die. Meanwhile, Gyaos has retreated to its cave and regrown its toe. Eiichi, along with his sister, bursts into the planning meeting and inadvertently gives Dr. Aoki the idea he needs: they will lure Gyaos out at night and immobilize him by making him dizzy using the rotating platform on top of the hotel.

The Defense Force constructs another platform on top of the existing one with a giant bowl of artificial blood on it. With the help of Tsutsumi and his crew, they also build a viewing shelter. A delegation of villagers then appear and tell Tsutsumi they will no longer oppose the expressway. The headman appears and there seems to be some disagreement between the two sides. Gyaos is lured out, but the plan ultimately fails when the substation powering the motors explodes. Gyaos then destroys the hotel, extinguishes the substation fire with his vapor and flies away.

Because of Gyaos the expressway is being rerouted, and the villagers, who were told by the headman to hold out, can now no longer sell their land. The villagers blame him and Eiichi comes out of the house, throws a tantrum, and berates the villagers for their greed. His sister also tells the villagers that the headman was acting in their best interests and the villagers leave. Back inside the house, Eiichi tells his sister that Gamera would finish Gyaos and that starting a forest fire on Mt. Futago will get Gamera to come. The headman goes to Tsutsumi and explains the plan. Tsutsumi tells the headman there will be a lot of money lost because of the destroyed trees, but the headman believes that Gyaos was sent as punishment for their greed.

Tsutsumi and his crew use their construction equipment to prepare the area for the fire and an airstrike starts it. Gyaos appears and puts out the fire. The second time the fire is started, it attracts Gamera. A fierce battle ensues, which ends when Gamera immobilizes Gyaos and flies him to Mt. Fuji, where he then drags Gyaos into the crater where Gyaos eventually dies. Victorious, Gamera flies away.

Cast[edit]

• Kojiro Hongo as Shiro Tsutsumi
• Kichijiro Ueda as Tatsuemon Kanamura
• Reiko Kasahara as Sumiko Kanamura
• Naoyuki Abe as Eiichi Kanamura
• Taro Marui as Mite-no-Tetsu
• Yukitaro Hotaru as Hachikō
• Yoshiro Kitahara as Dr. Aoki
• Akira Natsuki as Self-Defense Force Commander
• Kenji Oyama as Police Division Director
• Fujio Murakami as Dr. Murakami
• Koichi Ito as Road Corporation Director
• Teppei Endo as Road Local Affairs Director
• Shin Minatsu as Mitsushige Okabe
• Teruo Aragaki as Gamera

Gamera The Brave Dvd

Production[edit]

Gamera vs. Gyaos was planned immediately after the release of Gamera vs. Barugon and it was decided that the third film would be targeted towards children.^[2] Director Noriaki Yuasa approached the film like a children's book, after feeling that children became bored during the human scenes of the previous films.^[3] Daiei's dubbing studio was used as a laboratory set in the film's opening, with a few set pieces attached.^[4] A real office in Akasaka, Tokyo was used for the road construction board meeting after Yuasa asked the son of the company's president (working for Daiei at the time) to arrange the location.^[5]

Special effects[edit]

Yuasa recalled spending time, energy, and money on the shot of the miniature volcano exploding, however, he later felt the result was not worth it.^[6] Yuasa disliked the oatmeal formula used to simulate flowing lava in other films and instead backlit translucent molds and had them pulled by hidden cables.^[7]

Release[edit]

Gamera vs. Gyaos was released theatrically in Japan on March 15, 1967.^[1] The film was never released theatrically in the United States, and was released directly to television by American International Television in 1967 as Return of the Giant Monsters.^[1] It was released to home video and reissued to television as Gamera vs. Gaos in 1987 by Sandy Frank, featuring a different dub commissioned by Daiei made in Hong Kong.^[1]

Legacy[edit]

Gamera vs. Gyaos was one of the few films featured twice on Mystery Science Theater 3000 (both times as Gamera vs. Gaos), the first time as part of the initial KTMA series (episode 6)^[8] and again in Season 3 (episode 8).^[9][10]

References[edit]

1. ^ ^abcdefghijklGalbraith IV 1994, p. 310.
2. ^Galbraith IV 2020, 00:16.
3. ^Galbraith IV 2020, 00:28.
4. ^Galbraith IV 2020, 01:03.
5. ^Galbraith IV 2020, 05:00.
6. ^Galbraith IV 2020, 02:14.
7. ^Galbraith IV 2020, 02:38.
8. ^'Episode guide: K06- Gamera vs. Gaos.' Satellite News: The Official MST3K website. Accessed July 20, 2015.
9. ^Beaulieu, Trace; Chaplin, Paul; Jim Mallon, Jim; Murphy, Kevin; Nelson, Michael J.; Pehl, Mary Jo (May 1996). The Mystery Science Theater 3000 amazing Colossal Episode Guide. Bantam Books. p. 40. ISBN9780553377835.
10. ^'Episode guide: 308- Gamera vs. Gaos'Satellite News: The Official MST3K website. Accessed July 20, 2015.

Sources[edit]

• Galbraith IV, Stuart (1994). Japanese Science Fiction, Fantasy and Horror Films. McFarland. ISBN0-89950-853-7.
• Galbraith IV, Stuart (2020). Gamera vs. Gyaos Audio Commentary (Blu-ray). Arrow Video.

External links[edit]

• Daikaijû kuchu kessan: Gamera tai Gyaosu at IMDb
• Giant Monster Midair Battle: Gamera Versus Gaos at IMDb
• Giant Monster Midair Battle: Gamera Versus Gaos at AllMovie
• '大怪獣空中戦 ガメラ対ギャオス (Daikaijū Kuchu Kessan: Gamera tai Gyaosu)' (in Japanese). Japanese Movie Database. Retrieved 2007-07-17.

Mystery Science Theater 3000

• 'Mystery Science Theater 3000' Gamera vs. Gaos at IMDb (1988)
• 'Mystery Science Theater 3000' Gamera vs. Gaos at IMDb (1991)